Psycho (1960)

. Director: Alfred Hitchcock Screenwriter: Joseph Stefano By Roderick Heath In the late months of 1959 and through 1960, a battery of films hit movie screens that essentially initiated modern cinema. Amongst the films made the young lions of the French New Wave and the fanfare for the Italian ‘alienation’ mode, Psycho seems in odd …

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The Cabinet of Dr. Caligari (Das Cabinet des Dr. Caligari, 1919)

. Director: Robert Wiene Screenwriters: Hans Janowitz, Carl Mayer By Roderick Heath Imagine what it must have been like, to be someone who just bought a ticket to see The Cabinet of Dr. Caligari way back in 1919. Perhaps some ex-soldier just back from the abandoned trenches, curious to see that crazy new film someone …

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Blue Velvet (1986)

Director/Screenwriter: David Lynch By Roderick Heath .. David Lynch’s name is synonymous with a creative style close to a genre in itself. His is an outlandish, numinous, discomforting aesthetic, purveyed across several art forms, where the texture of dreams, and nightmares, can suddenly colonise an apparently stable and homey world, where humans peel apart and …

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Assault on Precinct 13 (1976)

. Director/Screenwriter: John Carpenter By Roderick Heath In the dark alleys of a modern cityscape, war is brewing. Heavily armed gang members stalk the dark, only to be spotlighted and coldly massacred by policemen, the bringers of death rendered dehumanised figures as the camera elides their faces and concentrates instead on their hands and weapons. …

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Devil in a Blue Dress (1995)

. Director/Screenwriter: Carl Franklin By Roderick Heath Although crime films and thrillers never went away, the late 1980s and ‘90s saw a busy revival of noir film, a new mode conscious of the genre’s past but invested with a hard edge of contemporary awareness. A battery of filmmakers including Michael Mann, John Dahl, Howard Franklin, …

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Night at the Crossroads (La Nuit de Carrefour, 1932) / A Day in the Country (Partie de campagne, 1936)

Director/Screenwriter/Actor: Jean Renoir By Roderick Heath Sometimes a famous name can be a boost or a burden. Or just a name. As the son of one of the most lauded Impressionist painters, Jean Renoir’s attraction to cinema gave the young art form an aura of matured sophistication, but might well have also lifted a few …

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All the Money in the World (2017)

Director: Ridley Scott By Roderick Heath Where Ridley Scott last left off, he was sending his biologically engineered übermenschen off into deep space to operatic fanfares of crypt-black irony. All the Money in the World, although set in the recent, very earthbound past, nonetheless takes up where that movie left off as young John Paul …

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Murder on the Orient Express (2017)

Director/Actor: Kenneth Branagh By Roderick Heath Kenneth Branagh, damn his eyes. Few figures in contemporary film remain as eclectically gifted and perpetually vexing. The energetic-to-a-fault Irish-born thespian-turned-filmmaker’s directorial career has provoked acclaim and irritation since his electrifying debut in 1989 with Henry V transformed a 28-year-old best known for his stage work into a major …

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Baby Driver (2017)

Director/ Screenwriter: Edgar Wright By Roderick Heath A heist scene, both in life and in movies, is traditionally a scene of fear, ferocity, chaos, and sometimes bloodshed. Edgar Wright’s Baby Driver kicks off on the other hand with a sequence of startling formal artistry and glib humour as its hero, who remains for nearly the …

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