Mandy (2018)

. Director: Panos Cosmatos Screenwriters: Panos Cosmatos, Aaron Stewart-Ahn By Roderick Heath Here there be spoilers… Panos Cosmatos is a second-generation directing talent, son of the Florence-born, Greco-Italian director George Pan Cosmatos and Swedish sculptor Birgitta Ljungberg-Cosmatos. Cosmatos the Elder directed many a punchy action movie over the years, including Escape to Athena (1979), Rambo: …

Continue reading Mandy (2018)

Touki-Bouki (1973)

Director/Screenwriter: Djibril Diop Mambéty By Roderick Heath Following its 2007 restoration by Martin Scorsese’s World Cinema Foundation, Djibril Diop Mambéty’s Touki-Bouki has emerged in recent years to be celebrated as one of the finest products of African cinema. Touki-Bouki made a Sight & Sound Film Poll as one of the hundred greatest films of all …

Continue reading Touki-Bouki (1973)

Me, You, Him, Her (Je, Tu, Il, Elle, 1974) / All Night Long (Toute Une Nuit, 1982)

Director/Screenwriter/Actor: Chantal Akerman By Roderick Heath Chantal Akerman’s death in 2015 at the age of 65 was a wrenching moment for many movie lovers, and closed curtains on a career beloved in the most studious corners of the world cinema scene. Akerman staked her claim to such loyalty with her most famous work, Jeanne Dielman, …

Continue reading Me, You, Him, Her (Je, Tu, Il, Elle, 1974) / All Night Long (Toute Une Nuit, 1982)

The Last Movie (1971)

Director: Dennis Hopper By Roderick Heath Before 1969, Dennis Hopper was one of many talented, young Method actors to drift west from the Actor’s Studio to Hollywood, if a flagrantly offbeat and arresting example of the breed. His blue eyes seemed to radiate an almost spiritual, romantic dissociation, as well as a potentially manic ferocity—Viking …

Continue reading The Last Movie (1971)

Berberian Sound Studio (2012)

Director/Screenwriter: Peter Strickland By Roderick Heath British sound engineer Gilderoy (Toby Jones) arrives at the Berberian Studio of Post-Production, a labyrinthine facility and a niche for creating the aspect of cinema perhaps least appreciated by laymen and yet amongst the most vital. This particular netherworld, where glowing, pulsing red lights wait with infernal meaning for …

Continue reading Berberian Sound Studio (2012)

Kenneth Anger: Films from the Magic Lantern Cycle, 1947-1981

Fireworks (1947) / Puce Moment (1949) / Rabbit’s Moon (1950) / Inauguration of the Pleasure Dome (1954) / Scorpio Rising (1964) / Kustom Kar Kommandos (1965) / Invocation of My Demon Brother (1969) / Lucifer Rising (1971-81) By Roderick Heath The first context in which I ever heard of Kenneth Anger was probably the same …

Continue reading Kenneth Anger: Films from the Magic Lantern Cycle, 1947-1981

Confessions of an Opium Eater (1962)

aka Souls for Sale; Evils of Chinatown Director: Albert Zugsmith By Roderick Heath Albert Zugsmith was one of those characters who make cinema history much livelier. Like Samuel Fuller, with whom he shared many artistic traits, he was a former journalist with a political backgroud—his sister was an author of “proletarian” novels in the 1930s—but …

Continue reading Confessions of an Opium Eater (1962)

Sayat Nova (aka, The Colour of Pomegranates, 1968)

Director: Sergei Paradjanov By Roderick Heath An authentic piece of cinematic shamanism, Sayat Nova was a work that placed its brilliant Georgian-born, ethnic-Armenian director Sergei Paradjanov in hot water with the Soviet-era authorities. At first glance, this seems nearly incomprehensible. What the hell was so subversive about a plotless, characterless, almost-silent extended montage of beautiful …

Continue reading Sayat Nova (aka, The Colour of Pomegranates, 1968)