Doctor Zhivago (1965)

. Director: David Lean Screenwriter: Robert Bolt By Roderick Heath David Lean had been a respected and heralded director since his debut helping Noel Coward realise his vision on 1943’s World War II classic In Which We Serve. His reputation was burnished with a succession of intimate, shaded, romantically charged dramas including Brief Encounter (1945), …

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Assault on Precinct 13 (1976)

. Director/Screenwriter: John Carpenter By Roderick Heath In the dark alleys of a modern cityscape, war is brewing. Heavily armed gang members stalk the dark, only to be spotlighted and coldly massacred by policemen, the bringers of death rendered dehumanised figures as the camera elides their faces and concentrates instead on their hands and weapons. …

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You Were Never Really Here (2017)

. Director/Screenwriter: Lynne Ramsay By Roderick Heath Here there be spoilers... Glasgow-born director Lynne Ramsay gained international repute with her impressionistic debut narrative film Ratcatcher in 1999. Ramsay cemented her status as a filmmaker to watch with her portrait of crisis adrift, Morvern Callar, in 2002, and her American film debut, the 2011 adaptation of …

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The Searchers (1956)

Director: John Ford Screenwriter: Frank Nugent By Roderick Heath John Ford was hardly lacking in fame and acclaim when he released The Searchers. He’d already captured four Oscars as Best Director, proof he stood for his peers as the most admired of American filmmaking talents. Given how rarely Westerns were given such awards and serious …

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Touki-Bouki (1973)

Director/Screenwriter: Djibril Diop Mambéty By Roderick Heath Following its 2007 restoration by Martin Scorsese’s World Cinema Foundation, Djibril Diop Mambéty’s Touki-Bouki has emerged in recent years to be celebrated as one of the finest products of African cinema. Touki-Bouki made a Sight & Sound Film Poll as one of the hundred greatest films of all …

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Night at the Crossroads (La Nuit de Carrefour, 1932) / A Day in the Country (Partie de campagne, 1936)

Director/Screenwriter/Actor: Jean Renoir By Roderick Heath Sometimes a famous name can be a boost or a burden. Or just a name. As the son of one of the most lauded Impressionist painters, Jean Renoir’s attraction to cinema gave the young art form an aura of matured sophistication, but might well have also lifted a few …

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Paisan (Paisa’, 1946) / Germany, Year Zero (Germania Anno Zero, 1948)

Director/Coscreenwriter: Roberto Rossellini By Roderick Heath Out of ashes, creation. The Italian neorealist film movement was in large part a pragmatic solution to shortages of film stock, actors, and other paraphernalia of a movie industry that had been gutted by war, invasion, and the collapse of a regime. This unlikely renaissance was propelled purely by …

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The Tiger of Eschnapur (Der Tiger von Eschnapur, 1959) / The Indian Tomb (Das Indische Grabmal, 1959)

Director: Fritz Lang By Roderick Heath Fritz Lang returned to make films in Germany after a quarter-century’s absence, after the box office failure of Beyond a Reasonable Doubt (1956) finally brought down the curtain on his Hollywood career. Lang had arrived in America as a feted figure wielding great prestige, but he subsisted in marginally …

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All the Money in the World (2017)

Director: Ridley Scott By Roderick Heath Where Ridley Scott last left off, he was sending his biologically engineered übermenschen off into deep space to operatic fanfares of crypt-black irony. All the Money in the World, although set in the recent, very earthbound past, nonetheless takes up where that movie left off as young John Paul …

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