Doctor Zhivago (1965)

. Director: David Lean Screenwriter: Robert Bolt By Roderick Heath David Lean had been a respected and heralded director since his debut helping Noel Coward realise his vision on 1943’s World War II classic In Which We Serve. His reputation was burnished with a succession of intimate, shaded, romantically charged dramas including Brief Encounter (1945), …

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Planet of the Apes (1968)

Director: Franklin J. Schaffner Screenwriters: Rod Serling, Michael Wilson By Roderick Heath Although overshadowed in appreciation amongst high cinephiles by Stanley Kubrick’s 2001: A Space Odyssey, 2018 brings the fiftieth anniversary of another hugely popular and influential science fiction film: Franklin J. Schaffner’s Planet of the Apes. 1968 was a pivotal year for sci-fi cinema, …

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Dragon Inn (Lóng Mén Kè Zhàn, 1967)

Director/Screenwriter: King Hu By Roderick Heath King Hu was born Hu Jinquan in Beijing in 1932. Scion of a prominent and prosperous family, Hu nonetheless was borne along with a generation displaced by war and political upheaval, and washed up in Hong Kong when still a teenager in 1949. After working for a decade in …

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The Ladies Man (1961)

Director/Screenwriter/Actor: Jerry Lewis By Roderick Heath Jerry Lewis’ partnership with Dean Martin had terminated in 1956 as Lewis increasingly dominated their movie collaborations. For every filmgoer who found Lewis a testing presence, there seemed to be another who adored him, and his slapstick talents were so spectacular, so percussive in their cinematic impact that Martin, …

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The Immortal Story (Histoire Immortelle; TV, 1968)

Director/Screenwriter/Actor: Orson Welles By Roderick Heath An adaptation of a story by Karen Blixen published under her pseudonym Isak Dinesen, The Immortal Story is also a story of two immortals, Orson Welles and Jeanne Moreau. Welles’ career as a director had long since become a victim of his own clarion work Citizen Kane (1941) and …

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Fellini ∙ Satyricon (1969)

Director/Coscreenwriter: Federico Fellini By Roderick Heath Thanks to the enormous impact of La Dolce Vita (1960) and 8½ (1963), Federico Fellini’s name had been vaulted into the tiny canon of filmmakers whose names were household words. The phrase “Felliniesque” came to spell out a brand of gaudy, sensual, yearning artistry in the same way Hitchcockian …

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Shoot the Piano Player (Tirez sur les Pianiste, 1960)

Director/Coscreenwriter: François Truffaut By Roderick Heath The evergreen lustre the early films of the French New Wave still retain stems in part from a tangible quality inseparable from the moment and place of their making. That sense of fleet-footed adventure encoded in their frames, captured by a bunch of ragged young men and women spilling …

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